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an in depth delve into one of the most extraordinary and disicive alternative albums ever made
Author : Subgenius | Date : 11 May 2005 16:05 | Submitted by subgenius | Comments : 
(6) | Rating :
6.90
(6) | Rating :
6.90
where to start? well, in muses case thats easy: The end of the world...
the teighnmouth trio have established themselves as champions of rock, ever since the first album 'Showbiz' they have been watched with eager eyes by the NME, as being one of the most gifted and promising bands in the world. Absolution fulfills every promise for the second time after their astounding 'origin of symmetry', and once again, muse take a sledgehammer at what rock is allowed to stand for in this epic spaced-aged thought provoking instant classic.
As mentioned before, this cataclysmic album is built around the basis of the end of the world, muse achieve this in a very unique way, unlike heavy metal goth, they take the alternative approach, the opener of Absolution can only be described as the best introduction to any album, ever, a piano Nazi stampeid giving out a hugely impressive drum sequence and giving you the harsh situation of the albums dilemma, "...and this is the end, yeah, this is the end...of the world" a truly magnificent opener of which you'll have to be deaf not to be impressed.
the introduction can only be surpassed by whats to come, a string of songs cusping on the verge of pure perfection, setting the albums atmosphere to an incredible amount of detail 'time is running out' a massively urgent and appropriate title to this bizzar, weired and wonderful cocktail mix of death and sex, climaxing towards Matthew Bellamy's melodic chorus with a smart and catchy humming bass line throughout. sing for absolution, is a perfect scene setter: post apocalyptic ice age earth "lips are turning blue" the chilling melody running throughout harmonizes tremendously with the singing of Matthew Bellamy, yet it is the chorus that truly shines in this glorified winter anthem, an awesome use of Bellamy's vocals, very powerful and excellent to listen to indeed. Stockholm syndrome is a magnificent use of heavy guitar sounds, and enters one of the best guitar riffs on the album, the despair on this track is conveyed in a tremendous fashion, as the title and theme of the album are bought together in unison, "this is the last time I'll, ABANDON YOU" as techno riffs and high pitched vocals harmonize in the background, this is an addictive song. next to come is the Sci-fi love hymn that is 'falling away with you', a sometimes underrated song by the inpatient, but is one of the best on the album, a acoustic and mellow start, brings in a sweet guitar symphony, telling of a love story set in a crumbling future, then comes the epic and climatic chorus, filled with a cascading bass, techno keyboard used to an extraordinary effect and tremolo vocals rounding off the chorus with a dazzling amount of heart filled melodic vibes.
ahh, that was good, time for a break - the interlude provides a resonating buzz of guitars infused with melancholy and despair, again, another wonderful scene setter of which muse have pulled of to a superb effect.
'Hysteria' is next, a stand out opera of a track, combining a bizzar melodic chorus of which Bellamy's voice is cleverly altered to suit the strangeness of the track, this combined with one of the best guitar pieces on the album, coming from Chris wolstenholmes tremendously talented bass playing, a huge monolithic riff, fast, furious and brimming with utter confidence, buzzing extremely well when brought together with the vocals and Dominic Howard's trashing drum fill into the chorus, these make 'Hysteria' a completely outstanding track. 'Blackout' simmers things down and brings in a very relaxing melodic vocal set, strings are the main instruments used here, to an extravagant effect, providing the ultimate chill out scene, as Bellamy serenades you with " this life's to good to last" ending with it more powerful, and memorable. this is a truly wonderful and soothing track. at long last i come to my personal favorite: 'Butterflies and hurricanes' a song which reaches a new category of epicness, hope and piano solos. a very interesting story, and a cleaver title, it is about weather or not this person wants to change to become the worlds savior, accepting responsibilities, starting from something very small to a huge importance, hence the title, yet the music itself shines like a ray of light in Absolution, the combination of the bass tapping and symbols give no hint of whats to come, an enchanting score which is truly unique, along with epic vocals and background vocals which make 'butterflies and hurricanes' hugely impressive. smack a classic piano piece which is even more impressive in the center of this extravaganza and you have genius on track number 10 on 'Absolution', pure genius. the next three songs merge together rather nicely, a crowd favorite 'the small print' with another excellent riff as the signature tune, it cascades up and down, designed to slightly disorientate the listener, much like real TSP, the echoing chorus of "Say! it'll make you INSANE!" is a huge delight, and makes the song hugely addictive, after there is the techno melancholic ballad called 'endlessly' much like a computerized version of 'Blackout' it is a signature chill out theme, and, as with all lyrics on Absolution, they are superb "hopelessly, i'll love you endlessly...I'll give you everything, but i wont give you up." 'thoughts of a dying atheist' is a song with a well of unlimited meaning and a fine melody running all the way through, surprisingly a cheerful tune, that contrasts with the lyrics "it scares the hell out of me, and the end is all i can see" this song like 'the small print' is a grower.
the last song on Absolution, and it couldn't be more fitting, "ruled by secrecy" is an ending of uncertainty and leaves the listener to ponder and reflect on the whole album. at the beginning there is just one piano paying a slow unwinding tune, then enters the keyboard, vocals bass drums, until it all climaxes towards a grand finale of rich piano and a final scream of the chorus "No one, knows, who's, in control" then it ends, on a tune of uncertainty and wonder.
muse have made it far and have become recognized as Britain's champions of rock, they bring it into their own space-rock sourserers, and in a blindingly impressive third album, become world wide symbols of talent and shake the world. Just how big are muse going to be in the future? only 3 men know the answer to that...
the teighnmouth trio have established themselves as champions of rock, ever since the first album 'Showbiz' they have been watched with eager eyes by the NME, as being one of the most gifted and promising bands in the world. Absolution fulfills every promise for the second time after their astounding 'origin of symmetry', and once again, muse take a sledgehammer at what rock is allowed to stand for in this epic spaced-aged thought provoking instant classic.
As mentioned before, this cataclysmic album is built around the basis of the end of the world, muse achieve this in a very unique way, unlike heavy metal goth, they take the alternative approach, the opener of Absolution can only be described as the best introduction to any album, ever, a piano Nazi stampeid giving out a hugely impressive drum sequence and giving you the harsh situation of the albums dilemma, "...and this is the end, yeah, this is the end...of the world" a truly magnificent opener of which you'll have to be deaf not to be impressed.
the introduction can only be surpassed by whats to come, a string of songs cusping on the verge of pure perfection, setting the albums atmosphere to an incredible amount of detail 'time is running out' a massively urgent and appropriate title to this bizzar, weired and wonderful cocktail mix of death and sex, climaxing towards Matthew Bellamy's melodic chorus with a smart and catchy humming bass line throughout. sing for absolution, is a perfect scene setter: post apocalyptic ice age earth "lips are turning blue" the chilling melody running throughout harmonizes tremendously with the singing of Matthew Bellamy, yet it is the chorus that truly shines in this glorified winter anthem, an awesome use of Bellamy's vocals, very powerful and excellent to listen to indeed. Stockholm syndrome is a magnificent use of heavy guitar sounds, and enters one of the best guitar riffs on the album, the despair on this track is conveyed in a tremendous fashion, as the title and theme of the album are bought together in unison, "this is the last time I'll, ABANDON YOU" as techno riffs and high pitched vocals harmonize in the background, this is an addictive song. next to come is the Sci-fi love hymn that is 'falling away with you', a sometimes underrated song by the inpatient, but is one of the best on the album, a acoustic and mellow start, brings in a sweet guitar symphony, telling of a love story set in a crumbling future, then comes the epic and climatic chorus, filled with a cascading bass, techno keyboard used to an extraordinary effect and tremolo vocals rounding off the chorus with a dazzling amount of heart filled melodic vibes.
ahh, that was good, time for a break - the interlude provides a resonating buzz of guitars infused with melancholy and despair, again, another wonderful scene setter of which muse have pulled of to a superb effect.
'Hysteria' is next, a stand out opera of a track, combining a bizzar melodic chorus of which Bellamy's voice is cleverly altered to suit the strangeness of the track, this combined with one of the best guitar pieces on the album, coming from Chris wolstenholmes tremendously talented bass playing, a huge monolithic riff, fast, furious and brimming with utter confidence, buzzing extremely well when brought together with the vocals and Dominic Howard's trashing drum fill into the chorus, these make 'Hysteria' a completely outstanding track. 'Blackout' simmers things down and brings in a very relaxing melodic vocal set, strings are the main instruments used here, to an extravagant effect, providing the ultimate chill out scene, as Bellamy serenades you with " this life's to good to last" ending with it more powerful, and memorable. this is a truly wonderful and soothing track. at long last i come to my personal favorite: 'Butterflies and hurricanes' a song which reaches a new category of epicness, hope and piano solos. a very interesting story, and a cleaver title, it is about weather or not this person wants to change to become the worlds savior, accepting responsibilities, starting from something very small to a huge importance, hence the title, yet the music itself shines like a ray of light in Absolution, the combination of the bass tapping and symbols give no hint of whats to come, an enchanting score which is truly unique, along with epic vocals and background vocals which make 'butterflies and hurricanes' hugely impressive. smack a classic piano piece which is even more impressive in the center of this extravaganza and you have genius on track number 10 on 'Absolution', pure genius. the next three songs merge together rather nicely, a crowd favorite 'the small print' with another excellent riff as the signature tune, it cascades up and down, designed to slightly disorientate the listener, much like real TSP, the echoing chorus of "Say! it'll make you INSANE!" is a huge delight, and makes the song hugely addictive, after there is the techno melancholic ballad called 'endlessly' much like a computerized version of 'Blackout' it is a signature chill out theme, and, as with all lyrics on Absolution, they are superb "hopelessly, i'll love you endlessly...I'll give you everything, but i wont give you up." 'thoughts of a dying atheist' is a song with a well of unlimited meaning and a fine melody running all the way through, surprisingly a cheerful tune, that contrasts with the lyrics "it scares the hell out of me, and the end is all i can see" this song like 'the small print' is a grower.
the last song on Absolution, and it couldn't be more fitting, "ruled by secrecy" is an ending of uncertainty and leaves the listener to ponder and reflect on the whole album. at the beginning there is just one piano paying a slow unwinding tune, then enters the keyboard, vocals bass drums, until it all climaxes towards a grand finale of rich piano and a final scream of the chorus "No one, knows, who's, in control" then it ends, on a tune of uncertainty and wonder.
muse have made it far and have become recognized as Britain's champions of rock, they bring it into their own space-rock sourserers, and in a blindingly impressive third album, become world wide symbols of talent and shake the world. Just how big are muse going to be in the future? only 3 men know the answer to that...